‘What
Should we Have for Dinner?’: An interview with Michael Pollan
Pollan, a speaker at the 2004 Food and Society Confernece, speaks with Food and Society Update editor, Katie Eukel, about his new book, working with the media, and telling effective stories.

Michael Pollan |
For twenty years, Michael Pollan has been writing books and articles
about the places where the natural and human worlds intersect. He’s
served as executive editor of Harper’s
Magazine and has worked as a contributing writer for the New
York Times since 1987.
In 2003, Pollan moved from Connecticut to Berkeley, California
to become the Director of the Knight Program in Science and Environmental
Journalism at the University
of California, Berkeley. He’s also publishing a new book,
The Omnivore’s Dilemma: A Natural History of Four Meals,
in April 2006. The book explores a very simple question—what
should we have for dinner?
KE: What exactly is the omnivore’s dilemma?
MP: The omnivore’s dilemma is basically
the existential predicament of creature who can eat just about anything;
it doesn’t have a specialized diet that it’s been given
by its needs. Over the years, we evolved a lot of systems to mediate
the omnivore’s dilemma, to help us understand what we should
eat, culture being the most important. Our culture tells us ‘eat
that mushroom, don’t eat that mushroom’. You know, eat
at a table with people, eat communally in other words. Don’t
snack…well, they used to tell us that! You know, cook your
meat, don’t eat this part of the animal, eat that part of
the animal. All the rules we have for eating. That’s kind
of helped us navigate this basic dilemma. But that, in our own time,
has kind of broken down. The culture, especially in America, is
falling apart. I mean, the family dinner is ending, the marketers
are convincing us to eat in our cars--20 percent of American meals
are now eaten in the car--nutritionists are confusing us every day
with new scientific advice.
So we find ourselves back where we were in a funny way, you know,
as primitive creatures confronting a bewildering landscape. Full
of great things to eat and poisons-- things that can kill you. And
here we are again. So it’s really a book about how we got
there and how we might reacquire some sanity about eating. And I
do it by looking at food chains, the food chains that we’re
a part of, industrial, organic, local, and hunter-gatherer.
KE: What were your food chain explorations like?
What did you learn from those experiences?
MP: Well I start [out] macro and move to the more
intimate or the smaller, so I start with the industrial food chain
and I end up with the hunter-gatherer food chain. Each chapter starts
with some species of nature in a meal that I either cooked or ate
out, and so I traced the meal all the way back to the earth. I spent
a lot of time figuring out why this is true and the role that policy
plays in this.
The book is a lot of food detective stories where I follow a food
back to figure out how it’s made and where it actually came
from.
I worked on a small farm in Virginia, what I take to be probably
the most sustainable farm in the country; it’s called Polyface
Farm. So I spent a week working there and learning everything
about how to take care of animals, slaughter chickens, sell locally.
Then I prepared a meal from that farm--all food grown on that farm.
I wanted to learn about the omnivore’s dilemma at the most
basic and primitive so I had a meal that I hunted, gathered, and
grew myself. For that, I learned how to hunt, which I’d never
done before, and shot a boar. And learned how to gather mushrooms,
morels and chanterelles.
So I actually went through that whole process of learning how to
identify safe food and dangerous food, just confronted the real
basics of feeding ourselves. You know, are we within our moral rights
to take the life of an animal, how do we feel about it when it happens,
when you actually watch it happen, and how do you turn an animal
into a good meal? You know, how do you pass through the disgusted
attempts at butchering and cleaning to actually turn it into food
that you can actually enjoy. Which I did!
The book looks at the question in many different ways. It looks
at it from a policy point of view, from a psychological point of
view, from a biological point of view, nutrition, and I really bring
a lot of different lenses to it. It was a fascinating education
for me and it certainly changed the way I eat.
KE: What originally brought you to this topic?
Why do you think it’s important to explore this dilemma now
versus at any other time?
MP: Well, I think we’re really confused
about what we’re eating. We get a lot of conflicting advice,
we’re besieged by marketers who are telling us that, you know,
if we eat this cereal we’re going to lower our cholesterol
or our blood pressure. And that if you’re a menopausal woman
you should eat that cereal, and kids are being marketed to. So I
think the result is that we get a lot of conflicting messages about
food.
KE: Since you’re working with young journalists,
what would be some of your advice for someone who is trying to explore
these issues in a larger context?
MP: Well, tell stories. Stories are very powerful
ways to connect with people, and one of the problems with our food
is that the stories have been removed from them. The stories of
how they were made and where they came from, to the extent that
you can restore people’s knowledge that there is a connection
between what they’re eating. That even the Twinkie originally
was a species growing somewhere. So if you can tell a story how
food came to be made, that will be very interesting. When people
are empowered with that knowledge, they’ll make better decisions
about what they’re buying. So telling stories is part of it.
And make connections. Think like an ecologist. Journalism and ecology
have a lot in common, it’s about finding connections, finding
the causes of things, finding the relationships between things.
So I think teaching journalists to think more like ecologists is
very powerful.
KE: Do you have any advice for nonprofits who
are trying to tell their stories to a broader audience?
MP: Think in terms of stories. People are very
interested in how things work, and trying to think like a reader
does is a good way to do it. The beauty of the food issue is that
it connects very directly with people. Everybody eats. You know,
we face a plate of food three times every day. Food opens up onto
lots of other issues. So it’s a way to get people to think
about the bigger systems in our lives, everything from energy to
the land…and again, food gives you something where you can
follow a line that takes you back to something people might not
know they care about or should care about. But they do care about
what goes in their body and what it does to them. So to the extent
you can connect with people at a very intimate level, a very basic
level, I think that’s true for lots of issues. And health
is a wonderful way to do that. Food is another.
One key thing I’ve found; this is a small thing, but I think
it’s very important. Talking to people about food, not agriculture.
It’s remarkable how few people realize that they’re
the same thing and that agriculture is of interest to them. Really,
people in the cities have learned to think of agriculture as something
that happens way out there, it isn’t part of their lives.
They’ve heard farmers complaining for years and years about
crop prices and weather and everything, and they just feel completely
disconnected from agriculture. They do not feel disconnected from
food. When I started selling articles in New York about these issues,
I realized very quickly that if I went and pitched an article about
agriculture, it was over. But if I pitched an article about food,
I had an editor’s attention.
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